Liturgical Art

If I can’t trust my taste in food, can I trust my taste in art? I like chocolate cake. I don’t know for certain, but I am guessing that there aren’t many nutritionist out there who would argue that chocolate cake is good food. So here’s the point. If the food I like isn’t necessarily […]

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And if so should it look like this?                                                         or this?       or this?                                 […]

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Summer Drawing Classes in the Academic Method at the Ingbretson Studios, Manchester NH All figurative Christian art, and especially sacred art, is a balance between natural appearances and idealisation. Idealisation is the controlled distortion from natural appearances that enables the artist to communicate invisible truths. Some people assume that working in a style such as […]

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On Good Friday, here are some images for the season. A reader has directed my attention to the paintings of this London based Catholic painter. She bases here style on the 14th century Italian gothic style. I am encouraged that she is developing so well a voice, so to speak, that is characteristic of the […]

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12th century Christian geometric art

by David Clayton on April 15, 2014

Some readers will already be aware of the Christian tradition of geometric and patterned art (see longer articles in the section Liturgy, Number, Proportion on the archive site). This was an adaptation of the patterned geometric art that we see in the pre-Christian classical period. TMC is, in a small way. The Way of Beauty class, […]

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Is some sacred art too naturalistic?

by David Clayton on April 8, 2014

There are many artists today working towards the reestablishment of the great naturalistic tradition of sacred art which was at its height in the 17th century, and this is to be encouraged. The artists coming out of the ateliers and studios that teach the traditional academic method who are adding greatly to this cause, and […]

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How to Make an Icon Corner and Change the World

by David Clayton on March 21, 2014

A new book tells us how to create one, has icons you can pull out and frame and how to pray in the family so that it become a force for cultural renewal.  The force to change the world begins with us. We must change ourselves, and then our families and then society will change. […]

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I was recently asked about Zurburan’s Immaculate Conception. I was aware of the general description of the iconography of the image, but could not interpret the details of everything that he has painted. My go-to person in these situations is Dr Caroline Farey, who once again will lead the teaching on the distance-learning diploma Art, […]

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