"As members of God's family we need each other and support each other. We are here to bear each other's burdens."

The Most Famous Missionary

You will most likely recognize the name Albert Schweitzer, but do you know why you recognize the name?

Schweitzer was one of the most famous missionaries of the 20th century. He was a theologian, writer, humanitarian, philosopher and physician. He held Phd.s in both theology and physics and was an accomplished concert organist. At the age of 38, he left his academic career and his career as a musician in order to set up a medical clinic in French Equatorial Africa.

In 1960 Schweitzer, now 85 and still serving the people of Africa, was visited by a young seminary student. The student tells how one morning at about 11:00 am he and Schweitzer along with a few others were walking up a hill in extremely hot weather. Suddenly the 85 year old Schweitzer broke away from the group and walked over to an African woman who was struggling to carry a load of firewood up the hill for the cook fires. Schweitzer took the entire load of wood from the woman and carried it up the hill for her.

When Schweitzer returned to the group one of them asked why he did things like that. They were concerned for his health and the strain he put on himself at his advanced age.

Schweitzer merely shrugged and said, “No one should ever have to carry a burden like that alone.”

Doubting Thomas

To Be a Christian, to be Catholic, is to be part of a community, part of the Body of Christ. God works through us. The miracle of feeding the multitudes only occurred through the obedience of the disciples. God wants us all to be active members of His body.

Do you remember the story of "doubting" Thomas? The first Sunday after the resurrection the disciples were huddled in a locked room wondering what would happen next. Thomas was not with them. We don't know why he wasn't but other scripture passages indicate he was moody and stubborn. Perhaps he was off by himself trying to deal with his own doubts and frustrations on his own.

But in doing so, he misses out.

While the other apostles comforted each other, Jesus appeared to them. And His appearance filled them with strength, hope, and a renewed confidence of purpose. Only after he returned to the group, only after he rejoined the Church, did Thomas experience the same transforming presence of Christ.

The Medieval Guild

There is a popular trend among artists to work in isolation. The idea being, that if they are not influenced by another artist then their artistic output will remain truer to their gifts and their vision. But this is simply not the case and betrays a self-centered, and very modern, concept of the role of the arts. We thrive in community, and this is no less true of the artists, craftspeople, and creatives among us, than it is of any other group of like-talented people.

As it is the role of the arts to serve their community, artists themselves flourish in community with other artists. More often than not, creative people welcome the opportunity to work with other creatives. Surrounded by like minded people, they are exposed to new ideas, new techniques, new approaches, and new perspectives that inform not only their own individual artistic output, but contribute to the collective output of the group as well.

Medieval guilds were such an example. They are often mischaracterized as “proto-trade unions.” But medieval guilds worked towards several goals for its members, not only economic but spiritual and charitable goals as well. What is perceived as a monopoly on trade was actually a desire to raise and increase the quality of the work of their members. The guilds were responsible for raising the quality of life and the standard of living for working artisans and craftspeople.

The medieval guild, at its core, was born of a desire to support, inspire, train, and encourage its members.

It is this same desire for mutual self-help and complimentary inspiration that has inspired artistic communities and brotherhoods throughout the ages. The Nazarenes of Germany was an effort to return a spiritual aspect to the arts and reject what was perceived as a rigid academic system. The pre-Raphaelite movement of England was likewise a group of artists, poets, and critics who shared similar philosophies. In America, in the 1970s, four of the top artistic talents in the US came together for four short but highly productive years. They published a book of their work under the title “The Studio.”

The artistic community could do far worse than to take a page from the medieval guilds and establish “studios” if you will, that work independently but market co-operatively. If done properly these new organizations could provide support in areas such as health care and perhaps even retirement pensions for its members.

As members of God's family we need each other and support each other. We are here to bear each other's burdens.

This is why it is a mortal sin to "skip" Sunday mass. Our attendance shows how deeply our heart is with Christ. It also shows how deeply we care for our brothers and sisters. When we choose to be absent we are in effect saying that relationship is not that important to us.

We all go through periods of doubt and anxiety, but we will not find the answers on our own. We will find them in our brothers, our sisters, and our Lord.

Pax Vobiscum
18th Sunday in Ordinary Time

Pontifex University is an online university offering a Master’s Degree in Sacred Arts. For more information visit the website at www.pontifex.university

Lawrence Klimecki, MSA, is a deacon in the Diocese of Sacramento. He is a public speaker, writer, and artist, reflecting on the intersection of art and faith and the spiritual “hero’s journey” that is part of every person’s life. He maintains a blog at www.DeaconLawrence.org and can be reached at Lawrence@deaconlawrence.com

Lawrence draws on ancient Christian tradition to create new contemporary visions of sacred art. For more information on original art, prints and commissions, Please visit www.DeaconLawrence.org 

Purchase fine art prints of Deacon Lawrence’s work here.