Thomas More College links up with Internationally Known Atelier, Ingbretson Studios, Again

Thomas More College of Liberal Arts is pleased to announce that once again that undergraduates, the college's Guild of St Luke will be able to attend a weekly, day-long course in academic drawing at Ingbretson Studio, the internationally known studio of Paul Ingbretson in Manchester, New Hampshire. This is ideal for those want to go to college and get a Catholic formation, but don’t want to leave their art behind while they study. Thomas More College of Liberal Arts continues to be the one place where you can study both. This was a course run for the first time last semester and it was so successful that we are giving up to a dozen undergraduates the chance to learn this traditional method again. Through this they will receive a training that will give them a level of skill in drawing that is greater than many leaving a conventional art school after four years' study. The photographs shown are of the drawings produced by last year's students.

Paul Ingbretson is a modern Master of the Boston school and is one of those I mentioned who was given his training by Ives Gammell in the 1970s. He has been teaching ever since. His school has an international reputation (we were all well aware of it, for example, when we were studying in Florence). He teaches the rigorous 'academic method' of drawing which can be traced back to the methods of Leonardo da Vinci and was used by figures such as Velazquez and more recently, John Singer Sargent.

By coincidence Ingbretson Studios is just 10 minutes drive from the TMC campus. Those who have a strong enough interest will also have an opportunity to train full time for three solid months each summer if they wish to do so. This is part of the college art guild of St Luke in which students are able to learn also traditional iconography and sacred geometry.

I teach a course to all freshmen who attend the college called The Way of Beauty in which students learn in depth about Catholic culture, especially art and architecture, and its connection to the liturgy.