Gothic-Style Embroidery by Pontifex University MSA Student Accepted by Shrewsbury Catholic Cathedral for Confessional
One of the things that characterized the medieval gothic style, was a theologically driven attention to detail. The gothic mason not only wanted those details that people could see to be beautiful and structurally sound but even the hidden structural details of the buttresses, for example, would be created according to principles of harmonic proportion. It would not occur to the illumination artist or mason not to create even the smallest or hidden aspect beautifully, for to the gothic artist, beauty had a utility. Beauty is the outward sign that a thing is suited to its purpose and that that purpose is good. When we behold it, it’s influence is to direct our spirits to God. To create beautiful art elevates the work of the artist to a virtue that benefits the artist, who is content to try to please God with his work, as well as any who sees his art to the degree that it is good and beautiful.
Shrewsbury Catholic Cathedral, in Shropshire, England has been undergoing a renovation under the patronage of Bishop Mark Davies. This is a 19th century, Puginesque English gothic style An article on the restoration in process with comments by Fr Edmund is at the New Liturgical Movement website, here.
In this spirit, of this gothic love of detail, a piece of embroidered art in the style of the School of St Albans - that is 21st-century English gothic - is to be displayed permanently at Shrewsbury Cathedral. The piece will be framed and hung in the confessional at Shrewsbury Cathedral on the priest’s side at the request of Fr Edmund. Stylistically this totally in keeping with the overall artistic schema of the cathedral.
Alix Murray, who created this lives in Shrewsbury and, she tells me, was inspired by images of the 12th century St Albans Psalter and the 12th century Bury Bible made in Bury St Edmunds in Suffolk, England, also of the 12th century. She is a student on Pontifex University’s Master of Sacred Arts program.
This is will be mounted, framed and hung in the confessional on the priest’s side of the screen.
Here is a picture of the interior of the cathedral.
This is the second piece of work to come out of a collaboration of PU students via a student Facebook group. I have had no personal input in this group - the ideas are generated amongst themselves. A similar embroidered image by another PU student, Kathryn Laffrey was published a few weeks ago, which resulted in a commission for that student from an American cathedral.
Alix told me:
Our agreement was to use the materials we had available to us. I used a bedsheet for the canvas and embroidery floss (untangled with tremendous effort) from my daughters’ craft drawer. In the end, I had to order more floss as I was so limited for colours.
I was inspired by two 12-century English illuminated manuscripts and the homeschooling group I am a member of is trying to organize a British history curriculum, so I used particularly English Catholic sources as my inspiration.
There is a saying, the devil is in the detail. However, if we care to make it so, the divine can be in the detail too. This is a detail that will be seen by only the priests in confessional. It’s potential for spiritual impact, and without the glorification of the artist is great. Influence through its beauty first confessor and in turn, indirectly, on the penitent it has the potential to affect many for the good in the diocese. Beauty will save the world!
Here is an original illumination from the Bury Bible created by an artist known as Master Hugo.
