A transformative journey that combines traditional Catholic spirituality with holistic artistic formation and is offered to everyone. Become the creative you were meant to be. Designed by David Clayton, Artist-in-Residence at the Scala Foundation and Provost, Pontifex University
The Vision for You is a process by which we discovered our true calling in life—what we call our ‘personal vocation’; and through which we discovered the Great Fact—that we have a choice in life: WE CAN CHOOSE TO BE HAPPY OR TO BE MISERABLE.
The burning flame is a symbol of the Light of the World which becomes also a sign that, when lit, the household is in prayer time. The flickering light renders the icons more beautiful through reflective interplay of light and dark. Also, if you have children, you will know that the presence of fire adds a focus that draws their attention to it, as powerfully as if they were moths.
Why the beauty of the prayer corner in the family home is crucial to the New Evangelization
The New Evangelization has become a buzzword of the age. Used by Pope St John Paul II it refers to the need to reach the faithless in the West whose parents and grandparents were Christian. But how do we reach these people who have no faith, but think they already know enough about Christianity to be hostile to it.?
In a short and clear paper written in 2000 Benedict XVI outlined what he believes is the answer to this question. If people are to convert they must believe that the Church has the answer to the fundamental question: 'Which is the path to happiness?' We do not tell people the answer to this question, he says, so much as show them. By the example of our own happy lives and loving interactions we show Christ to others. And the only way we can do this is to strive to be walking icons of Christ supernaturally transformed so that we participate in the 'light' of the Transfiguration.
There were two aspects of the Christian message that Pope Benedict felt would resonate today particularly when communicated in this way. First is that we demonstrate Christian joy that transcends human suffering so that in our own small way (or sometimes not so small) we bear suffering joyfully and with dignity as the martyrs did.
Second is that we should communicate the fact of life after death and a just and merciful judgment by Christ. When we have joyful hope for a future that reaches beyond death, fear is dispelled and we are given a purpose in this present life (anticipating themes discussed later in Spe Salvi in much greater depth). Again this is more powerfully transmitted in the way we are than by us telling people directly that we are joyful and free of fear.
How can we possibly live up to this ideal? The answer is that left to our own devices we can't, but with God's grace we can. The foundation of such a transformation says Benedict, is prayer.
Benedict describes prayer life that is a balance of three different sorts of prayer all ordered to the Eucharist. These are, first, the Sacred Liturgy - the Mass and the Liturgy of the Hours; second, 'para-liturgical' prayers which are devotional prayers said in common such as the rosary; and third personal prayer which is said alone and in private.
Most of us do not know how to pray well without being taught. Even the apostles asked Christ to teach them how to pray and Benedict tells us that we need 'schools of prayer' where we may learn to pray this transforming prayer.
The most powerful and ideal school of prayer is the domestic church - the family home - where children learn by seeing the example of their parents (and I would say, especially fathers) praying to God, visibly and audibly to the image corner. Benedict tells us that the domestic church is an essential aspect of the new evangelization:
'The new evangelization depends largely on the Domestic Church. The Christian Family to the extent it succeeds in living love as communion and service as a reciprocal gift open to all, as a journey of permanent conversion supported by the grace of God, reflects the splendor of Christ in the world and the beauty of the divine Trinity.'
So, he seems to be saying, if we did not learn to pray in our own home (perhaps because you are a convert like me), we have a responsibility to learn and then to pray at home so that we each create our own domestic churches.
Outside the family, a spiritual director is the best way to learn. These are hard to come by and so the next best thing is to look at books on prayer, Thomas Dubay's for example are good and of course one of the four sections of the Catechism is devoted to it.
The book, the Little Oratory, A Beginner's Guide to Praying in the Home was written by myself and Leila Lawler with this aim in mind. (The word 'oratory', incidentally, derived from the Latin orare - to pray - means literally 'house of prayer'.) In this we pass on the guidance we were given when we asked of others that question, 'teach us how to pray'. It describes how to order prayer in accordance with the hierarchy that Benedict describes so that it lightens the load of daily living rather becoming a burden. It addresses directly how to arrange the images for the icon corner in the home and how to pray to visual imagery.
The traditional layout for the core imagery of the icon corner is as follows: in the center should be the suffering Christ, that is Christ on the cross; to the left should be an image of Our Lady; and to the right should be an image of the glorified Christ (perhaps a Veronica cloth or Christ Enthroned with angels).
It seems that nearly every aspect of the Faith is contained in some way in just these images and there simply isn't room to talk about it all here. However, it is interesting to note that they speak directly to the concerns that Benedict brought out in regard to the new evangelization: Christ on the cross is the most poignant symbol of consolation in our suffering; and all images of Christ glorified communicate to us the glory of heaven and what is in store for us through deification. This is the transformation by which we participate in the divine nature through Christ. It happens by degrees in this life through participation in the sacramental life.
Iconographic images of the face of Christ are always painted with an expression of compassion tinged with a slight sternness. This enigmatic combination tells us that Christ is a judge (hence the sternness), but that he is a good and merciful judge.
Finally, the role of Mary is crucial in the new evangelization, I believe. All that the Mother of God does is directing us to her son. We see this portrayed directly in many images of Our Lady - she engages us with her eyes while gesturing towards her son.
How will the domestic church evangelize the un-churched? At first sight it is not clear - it is possible that the images of the domestic church might communicate these truths to the faithless directly, who are invited into our homes, for example, but it is unlikely. That is not the point. The idea is that they are placed in the homes of the faithful for the effect it has on us. The beauty of sacred art communicates something that words alone cannot. When we pray with holy images, especially liturgical prayer as in the Divine Office, what we see impresses itself on our souls and we are raised up to the ideals they portray . Despite ourselves in many cases, we are transformed, partaking in the divine nature so that we may show Christ to others. As we leave our homes and go about our daily business, engaging with our fellows in a secular society, people see in us something greater, the divine person. It is Christ who affects those people, through us. It is a lay 'in persona Christi'. In so doing we emulate also, in our own diminished way, the life of Our Lady showed her son to us and prays for us to Him constantly.
I painted the images below as examples that would be appropriate for an icon corner in a Domestic Church. In addition to the three core images - the face of the glorified Christ, Christ on the cross and Our Lady of Merrimack. The first is in a traditional iconographic style and the other two are in a Western gothic style.
In addition is the image of the Knight of the New Evangelization which I have painted as a symbol of the mission of the Church today. He portrays the need for chivalry and virtue in today's culture which is hostile to Christianity. The battle in the West is spiritual but nevertheless requires courage. The image is based on one from the 13th century Westminster psalter painted by Matthew Parris
Don't forget the Way of Beauty online courses www.Pontifex.University (go to the Catalog) for college credit, for continuing ed. units, or for audit. A formation through an encounter with a cultural heritage - for artists, architects, priests and seminarians, and all interested in contributing to the 'new epiphany of beauty'.
Beauty calls us to itself and then beyond, to the source of all beauty, God. God's creation is beautiful, and God made us to apprehend it so that we might see Him through it. The choice of images for our prayer, therefore, is important. Beautiful sacred imagery not only aids the process of prayer, but what we pray with influences profoundly our taste: praying with beautiful sacred art is the most powerful education in beauty that there is. In the end this is how we shape our culture, especially so when this is rooted in family prayer. The icon corner will help us to do that. I am using icon here in the broadest sense of the term, referring to a sacred image that depicts the likeness of the person portrayed. So one could as easily choose Byzantine, gothic or even baroque styles.
The contemplation of sacred imagery is rooted in man’s nature. This was made clear by the 7th Ecumenical Council, at Nicea. Through the veneration icons, our imagination takes us tothe person depicted. The veneration of icons, therefore, serves to stimulation and purify the imagination as a means of imaging God’s inspiration. This is discussed in the writings of Theodore the Studite (759-826AD), who was one of the main theologians who contributed to the resolution of the iconoclastic controversy.
In emphasising the importance of praying with sacred images Theodore said: “Imprint Christ…onto your heart, where he [already] dwells; whether you read a book about him, or behold him in an image, may he inspire your thoughts, as you come to know him twofold through the twofold experience of your senses. Thus you will see with your eyes what you have learned through the words you have heard. He who in this way hears and sees will fill his entire being with the praise of God.” [quoted by Cardinal Schonborn, p232, God’s Human Face, pub. Ignatius.]
It is good, therefore for us to develop the habit of praying with visual imagery and this can start at home. The tradition is to have a corner in which images are placed. This image or icon corner is the place to which we turn, when we pray. When this is done at home it will help bind the family in common prayer.
This program designed by The Way of Beauty's David Clayton gives you a unique formation in beauty and a Catholic inculturation. For artists of any creative disciplines, catechists and all who love beauty. Learn more at www.Pontifex.University.
