Perhaps some of the most difficult teachings of Christ concern how we respond to oppression.
A Resource for Chanting the Office at Home in English - Singtheoffice.com
The Poetic Body of the Benedictine Charism
What did John Henry Newman mean when he wrote in his essay “The Mission of St. Benedict” that the discriminating badge of the Benedictines is poetry? By saying that the Benedictine charism was poetry, Newman does not mean that Benedictines spent all day writing poems. St. Benedict did not found a religious order aimed purely at mystical knowledge—experiences of God that remain in the soul, and tend towards silence. In contrast to monks who fled the world to encounter God in solitude, St. Benedict’s Rule was written to guide communities in living elemental aspects of Christianity—such as shared meals, shared prayer, and shared work. Life in common is the Benedictine monastic path toward God.
As the philosopher Jacques Maritain writes, “poetic experience is concerned with the created world and the enigmatic and innumerable relations of beings with each other.”[1] Poetic knowledge expresses itself in work through a dynamic process: “Poetic experience is from the very start oriented toward expression, and terminates in a word uttered, or a work produced; while mystical experience tends towards silence.”[2] Poetic knowledge is therefore communication between the soul and the world, since:
The soul is known in the experience of the world and the world is known in the experience of the soul . . . In poetic intuition objective reality and subjectivity, the world and the whole of the soul, coexist inseparably. At that moment sense and sensation are brought back to the heart, blood to the spirit, passion to intuition. And through the vital and nonconceptual actuation of the intellect all the powers of the soul are also actuated in their roots.[3]
In Newman’s words, the gift of the Benedictines is a way of being in the world that “lets each work, each occurrence stand by itself—which acts towards each as it comes before it, without a thought of anything else.”[4] Newman even calls this approach to life a “mortification of reason,”[5] but that is not because St. Benedict and his many followers devalue scientific or conceptual knowledge reached through reason.
Rather, at times, our tendency to analyze, measure, and manipulate needs to be forgone in order to return to a childlike, simple state of perceiving reality that opens up to a sacramental way of living—seeing in visible things the invisible grace of God. The Benedictine vision reminds us that to see the totality of things and to live a contemplative life in the ordinary work of manual labor and repetitive daily routines requires an attentiveness to the present moment and commitment to particular people and places. Being present to all of reality—without having to always conceptualize our experience or analyze things scientifically—is a way of encountering God intimately and simply, like a child who wonders at the beauty of each flower and rejoices at every bird in the sky.
By calling the Benedictine way a simple, almost childlike way of living, by no means was Newman discarding the importance of Benedictine contributions to science (in particular through agriculture), as well as letters (for example, St. Bede the Venerable, the English historian and Gospel translator). Indeed, the Benedictines have plenty of cause to boast of their great saints who exemplified holiness, such as Saint Anselm or Saint Hildegard, both of whom are Doctors of the Church.
Newman contrasts the Benedictine gift of poetic living to the noble, but distinct, mission of other orders in the Church that sought to be apologists for the faith, teachers in the pulpit, professors in the chairs of universities, and rulers of the Church. The Benedictine way counteracts the miseries of life with beauty. Benedictines model how to have an open ear listening to God and a heart ready to receive the truth.
Newman’s summary of the Benedictine way of life from his essay on the Benedictine Schools summarizes beautifully the particular gifts of the Benedictines: simplicity, commitment to place, routine, hospitality, and seeing the totality of reality. Benedictines see the sparkling of divine creation in every living organism, from the sky that covers all of creation to the microbes of the soil. As Newman writes:
The one object, immediate as well as ultimate, of Benedictine life, as history presents it to us, was to live in purity and to die in peace. The monk proposed to himself no great or systematic work, beyond that of saving his soul. What he did more than this was the accident of the hour, spontaneous acts of piety, the sparks of mercy or beneficence, struck off in the heat, as it were, of his solemn religious toil, and done and over almost as soon as they began to be. If today he cut down a tree, or relieved the famishing, or visited the sick, or taught the ignorant, or transcribed a page of Scripture, this was a good in itself, though nothing was added to it tomorrow. He cared little for knowledge, even theological, or for success, even though it was religious.
He continues thus:
It is the character of such a man to be contented, resigned, patient, and incurious; to create or originate nothing; to live by tradition. He does not analyze, he marvels; his intellect attempts no comprehension of this multiform world, but on the contrary, it is hemmed in, and shut up within it. It recognizes but one cause in nature and in human affairs, and that is the First and Supreme; and why things happen day by day in this way, and not in that, it refers immediately to His will. It loves the country, because it is His work.[6]
What kind of education did St. Benedict himself envision? In reflecting on the schools started by St. Benedict, Newman points out that St. Benedict’s schools were focused on the young. What is today known as high school or higher education hardly existed in the tumultuous times in which St. Benedict lived. Academies of higher learning were for the elite. The Benedictine way of life and Benedictine education was for the ordinary Christian, the person in adult life who would engage in manual labor.
In the twenty-first century, even pre-kindergarten instructing has often shifted to college readiness, as if what matters to toddlers are the skills that will help gain admission to a college where the nearly exclusive focus on scientific and conceptual mode of living shuts out the poetic way of living that allows us to integrate our intellect with our soul. By contrast, St. Benedict followed a kind of liberal arts model of education (teaching the subjects of the trivium and quadrivium) for the young, including the Greek and Roman classics and instruction in Scripture in his grammar schools for the young. Certainly the Benedictine poetic way of living and educating—a simple, joyful emphasis on teaching languages, learning about nature, and studying the history and stories of great civilizations of the past—mingled easily with the desire to nurture a child’s wonder at the marvels of nature or history and a child’s eager intuition to find symbolic meaning in all things.
All levels of education would benefit from nurturing the creative intuition that is the engine and fruit of poetic knowledge. The importance of the Benedictine charism is evident in its power to elevate the being mode of life and shut down (or at least slow) the analytical mode of life aimed at investigating means and ends, predicting outcomes, or examining premises and conclusions. Not educating the inner core of our soul from which all other capacities emanate—including our reason—leads (and has led) to dissonance, dispersion, and the fragmentation that results from a lack of direction for our drives, passions and instincts. Pondering the Benedictine charism of poetry can positively shape the Church, schools, and culture today in (at least) three concrete ways.
First, reading and writing poems is one way to capture the complexity of objective reality and to express our own emotions—which confronts the challenge in today’s culture in that many people suffer from a crisis of attention and a lack of imagination. Catholic poet and former director of the National Endowment of the Arts Dana Gioia has argued that the study of poems and the writing of poetry needs to be recovered.[7] Writing and memorizing poetry used to be an activity of common people, not academics in universities. Studying great works of literature like the Divine Comedy matter because stories shape our imagination and guide us when making important decisions about our lives. Great literature opens our hearts to respond to the attraction of the good. Literature lights the fire of our desire for a blessed life.
Second, reviving poetic knowledge is crucial to the advancement of scientific knowledge. Marveling at the beauty of the world—whether that be the beauty of soil or the beauty of the many mathematical calculations that make a building structurally sound—is not secondary to technological advancement, but primary. As Catholic professor of mathematics and physics Carlo Lancellotti has argued, scientific advancement is driven not primarily by technological innovation but by the creative intellect that seeks to know why things work, not just how they work. Seeking to understand why things work as they do, as Lancellotti puts it, “the ultimate motivation that has led to the triumphs of modern science is essential aesthetic.” The ability to marvel at the world needs to be cultivated because it is the seed of the sustained human effort to know why things work the way they do. Math, science, and engineering education that never takes students out of the controlled environment of the laboratory too often squashes the very human creativity that not only drives new scientific discoveries but also guides their application towards ends that promote human flourishing.[8]
Third, reviving poetic knowledge is crucial to liturgical renewal because poetic ways of everyday living are essential for educating the imagination and intuition as they are engaged in the liturgy. Timothy O’Malley, director of the Center for Liturgy at the University of Notre Dame, has arguedthat within the Catholic Church, many do not appreciate poetic forms of knowledge, not even in the liturgy. Is it surprising, then, that the failure to educate our aesthetic sensibilities leads to poorly done liturgy that is sense-numbing and unimaginative? Too many parishioners are unable to sufficiently focus their attention to enter into the contemplative space of beautiful liturgy. Aesthetic education in art, literature, and science can enliven liturgical experiences of the faithful and motivate clergy to celebrate the Mass with beauty. Liturgy well done is itself a form of aesthetic education.
A poetic, sacramental way of living and educating the young can never fully be conceptualized. It has to be lived and to be experienced in order to be known more fully. In the chapter on humility from his Rule, St. Benedict discusses the image of the ladder (in Latin, scala). Benedict instructs readers that:
If we wish to reach the very highest point of humility and to arrive speedily at that heavenly exaltation to which ascent is made through the humility of this present life, we must by our ascending actions erect the ladder Jacob saw in his dream, on which Angels appeared to him descending and ascending. By that descent and ascent we must surely understand nothing else than this, that we descend by self-exaltation and ascend by humility. And the ladder thus set up is our life in the world, which the Lord raises up to heaven if our heart is humbled. For we call our body and soul the sides of the ladder, and into these sides our divine vocation has inserted the different steps of humility and discipline we must climb.
This image of the ladder gives the name for the Scala Foundation, a non-profit initiative that aims to revive classical liberal arts education, of which I am the founder. Scala aims to link educational philosophy to practices and that educate the whole person, including integrating the search for truth with experiences of beauty.
Through Scala, I have led student groups to Benedictine monasteries such as the Abbey of Regina Laudis and Portsmouth Abbey in the United States, as well as Ampleforth Abbey in the United Kingdom. Each trip combined time dedicated to forming the mind with time dedicated to immersing ourselves in the Benedictine routine of the liturgy of the hours, shared meals, manual labor, and playing games. Reading Newman’s Idea of a University, Jacques Maritain’s Education at the Crossroads, and Luigi Giussani’s Risk of Education while at a Benedictine monastery allowed us to immediately put into practice the ideas of some of the greatest Catholic thinkers of the nineteenth and twentieth centuries. We deepened our knowledge of the texts we read because we lived what we were reading.
These trips afforded us a slice of the original beatific vision because we lived an integrated life where everything we do, think, and feel comes from the soul, the place of the direct encounter with God, and emanates out into a sacramental way of living every moment of the day. Whether we were in the classroom, the strawberry field, the chapel, or the dining hall, the Benedictine communities created a sense of harmony with nature that produced a deep inner resonance so deeply desired by today’s students and their instructors. The unity of all activity, interior and exterior, generates peace and gently guides students into a state of productive leisure where all of our being and doing points towards the sacred.
Anyone who has tried to follow the Benedictine routine knows that the lifestyle is too demanding and the education too holistic to be conceived of as a mystical floating above earthly realities or a retreat from the world’s conflicts. The simple, daily routines of manual labor, prayer, study, and a shared way of life, along with a spirit of attention to the divine in the liturgy of the hours and lectio divina of both Scripture and nature captivates students’ hearts and prunes their minds. Poetic knowledge can guide scientific and conceptual forms of reason to be used more in harmony with our souls.
As Pope Benedict XVI notes in his address Quaerere Deum, the Benedictines transformed European culture slowly, but not through a political strategy. Little wonder that he chose the name of Benedict for his papacy, as he argues that the Benedictine monastic tradition that reveres the word of God and all of creation is both “what gave Europe’s culture its foundation—the search for God and the readiness to listen to him—[and] remains today the basis of any genuine culture.”[9] The Benedictine influence on society is the result of its producing resonance and harmony in the soul which in turn sow the seeds of life-giving culture. In the past, the Benedictine commitment to preserving ideas of the past, living in community, and preserving the land to be bountiful brought order out of chaos. It surely can do so again.
The curricular fragmentation in schools at all levels and the interior dissonance of students are not unrelated. As a result, the Benedictine charism is being studied, experienced, and applied by educators who, like myself, will not become monks or nuns, but are looking for a way to purify today’s educational systems. Educators need positive examples that can be drawn from the Benedictines in order to build on the good of today’s culture and of current school structure. It is important to critique the obsessively achievement-oriented, narrowly pragmatic, and ultimately soul-draining forms of education, while also being inspired by models that help educators swim against the stream where an understanding of the Benedictine (and Catholic) vision is missing but its influence is nevertheless felt.
Benedictine communities are an embodiment of a tradition that has preserved a living expression of a unified, simple, yet also glorious and joyful way of Christian life and education. Monks and nuns working the land and running schools who welcome student groups for agricultural work, retreats and seminars can be hospitable guides to people from all faith backgrounds and types of schools. Benedictines offer an ancient tradition of daily living and a method of education that is also ever new and capable of bringing interior and external order to our culture and our schools.
[1] Jacques Maritain, Creative Intuition in Art and Poetry (Providence, RI: Cluny Media, 2018), 216.
[2] Ibid., 216.
[3] Ibid., 113.
[4] John Henry Newman, “The Mission of Saint Benedict,” in A Benedictine Education: The Mission of Saint Benedict & The Benedictine Schools, ed. Christopher Fisher (Providence, RI: Cluny Media, 2020), 11.
[5] Ibid.
[6] Ibid., 74.
[7]See Dana Gioia, The Catholic Writer Today: And Other Essays (Wiseblood Books, 2019).
[8]Margarita A. Mooney, “Engineering, Beauty and a Longing for the Infinite,” Scientific American, October 22, 2019.
[9]Pope Benedict XVI, “Quaerere Deum,” in A Reason Open to God: On Universities, Education and Culture, ed. Steven J. Brown (Washington, DC: Catholic University of America Press, 2013), p. 236.
This article originally published online at Church Life Journal and is adapted from the Introduction to A Benedictine Education, a collection of essays by St. John Henry Newman, edited by Christopher Fisher, with an interpretative essay by Abbot Thomas Frerking, O.S.B. The volume is a Cluny Media title, published in partnership with the Portsmouth Institute.
The Purpose of Marriage
God gave us the institution of marriage; the lifelong irrevocable union of one man and one woman. This union was necessary not only so that children may be raised and cared for by a father and a mother, but also because we need each other, as helpmates. It is part of God's design that we complete each other, draw strength from each other, and contribute to one another's spiritual growth. From the very beginning, marriage was a sacred union.
Does the Church Need Artists Who Are Humble Scribes? Or Original Geniuses?
A Beacon of Light in the Darkne
Tradition and Authority in Luigi Giussani’s Educational Method
For the past several years, I have assigned Monsignor Luigi Giussani’s The Risk of Education as the final book in a seminar I teach on liberal arts education. One student’s response to Risk of Education echoed what I felt when I first picked up a book by Giussani, just a few years ago. She remarked that “Giussani uses common words in uncommon ways, which is strange.” Pausing, she then continued, “But it’s also compelling.”
Giussani, the Italian Catholic priest and founder of Communion and Liberation, isn’t playing language games. Rather, the unconventional ways that he defines terms like tradition, authority, reason, verification, and provocation are actually challenges to implicit assumptions about the person and community that are expressed in our use (or misuse) of language. Thus, Risk of Education isn’t only a model for educators. It’s also a critique of modernity—and a sketch of a way forward.
Together, students and I unpack the meaning of the key terms in Giussani’s book. His vision of education awakens students to the greatness of the educational endeavor, the nobility of the mind, and the desire for authority and tradition to guide and ground one’s freedom. This grounding enables students to make further explorations while still feeling connected to something bigger than oneself.
Embodying a Tradition
Take, for example, one of the recurring words in Risk of Education: “tradition.” For the students I teach, tradition evokes something static, maybe even sterile or sterilizing. But Giussani describes tradition as an initial explanatory hypothesis. This beginning point becomes the grounds from which a student can explore and test new information. Tradition gives meaning and coherence to information as it is learned and tested.
“Authority” is another term that Giussani uses in a surprisingly compelling way. Rather than being something imposed on a passive recipient, Giussani explains, authority is a coherent embodiment of tradition. For Giussani, authority isn’t abstract; it’s personal. A humanistic, person-centered education begins with the teacher himself or herself being aware that to teach is to bring one’s entire personality into the classroom. When a teacher steps into a classroom, he or she is not just transferring content to passive recipients. Teachers do not simply facilitate discussions among people who already have the truth inside themselves, or measure learning outcomes on particular skills. Teachers personally embody a tradition, a way of seeing and thinking about the world that guides students in how they experience and test out ideas in their own lives.
It’s important for teachers to acknowledge that we communicate with our students through our being, our presence, our gaze, our wonder, and our excitement at the educational endeavor. To take that responsibility seriously is to embrace the most important part of education: awakening the desire in our students to embark on the quest for truth. This awakening must be truly personal, a communication of desire from teacher to pupil.
The Integration of Living and Knowing
Because humans are made to desire the truth, Giussani explains, we must exercise our reason to examine the totality of human experience. Some students have been told that their personal experience always gives them unmediated access to truth without the necessity of authority and tradition in a lived community of persons. Other students have been told that their personal experiences are irrelevant to what they are learning—that learning the scientific method must somehow be separated from questions of meaning, being, purpose, and our final ends as human beings. Both extremes deprive students of experiencing a coherence between thought and action, being and doing, facts and values.
Giussani’s understanding of experience is not subjective in a strict postmodern sense of the term, which would imply that every person’s experience is so unique and different that it is incommensurable with others’ experiences. Nor can Giussani’s understanding of experience be reduced to simply the sense perception of material objects. Rather, experience matters for Giussani insofar as students must seek to know the truth for themselves, verifying in their own lives what authority and tradition teach. Without this personal verification, one can’t reach certainty about knowledge. Examining the totality of one’s experience is thus crucial for assenting to the truth.
Teaching students to use their faculty of reason as a tool for endless theorizing or abstract word games distorts the very nature of reason, which is meant to lead us to assent freely to the truth. When the knowledge produced by the scientific method becomes divorced from truths about the final ends of the human person, students have no tradition from which to judge the proper use of human discoveries and inventions. Morality and ethics become divorced from reason, and are therefore seen as subjective, arbitrary, and imposed.
Students who have been exposed to a deconstructionist view of truth-seeking, a strict fact–value distinction about knowledge, or a relativist view of all morality, feel enlivened by Giussani’s understanding of reason as combining tradition, authority, and experience. As Stanley Hauerwas notes in his foreword to the 2019 revised translation of Risk of Education, all knowledge is supposed to shape how we live, and how we live our lives should shape how we think. Morality, ethics, and science aren’t strange bedfellows; they are great conversation partners.
The integration of living and knowing produces internal coherence. It allows students to stand in a tradition and communicate to others with wonder and joy the truths they have learned, using their knowledge to further the human good.
The Risk
According to Giussani, provocation is another necessary element for education. If students don’t question the coherence of a tradition, then they can’t go through the process of verification of knowledge necessary to know the truth and to commit one’s life to living according to those truths. Criticism is a drive to discover what is valuable in an idea and to explore what about that idea corresponds to one’s own experience of reality. Allowing students to engage in this provocation is why Giussani calls his educational method a risk. Teachers must love the freedom of their students as they engage in this educational process of verifying a tradition, and students must love the embodied authority—a person or a living tradition like the church—that breaks open (but does not break down) their way of reasoning to make it coherent with a way of living.
In many of the educational settings in which I have taught or studied, authority and tradition in education were hardly ever discussed. Reason, provocation, and verification were implicitly or explicitly expected to guide education, but no concrete embodied tradition was upheld as an authority or a set of guideposts for the use of my reason.
Long before I read anything by Giussani, I sensed that the fields in which I earned my credentials (psychology and sociology)—fields dedicated to studying the human person and society—were insufficient to guide me in deciding how I wanted to live. Without yet having the vocabulary to describe what I was doing, I was seeking tradition and authority.
Through years of study and reflection, I discovered through my own experience the very tradition I had been raised in. I found the intellectual coherence and personal coherence I so desired through my reading of the Catholic intellectual tradition—especially Catholic figures like John Henry Newman, Jacques Maritain, John Paul II, and Benedict XVI. Like Giussani, all of these figures attempted to take the good from the modern understanding of human freedom and integrate it into a coherent Catholic tradition that emphasizes community, truth-seeking, beauty, and our final purpose: to know and love our creator and his creation.
Person-Centered Education
Giusssani’s view of the human person as mysterious, connected to the infinite, and worthy of dignity was the central guiding concept behind all of his life, writing, and teaching. Giussani’s method of education seeks what Jacques Maritain called the true end of education: the awakening of the inner dynamism of each person. In our burnout culture, characterized by creative fatigue, we need hospitality and charity in the search for truth. We seek the certainty needed to stand in a tradition and speak with an authority that respects the freedom and mystery of each person.
Many students are attracted to Giussani’s notions of authority and tradition in education simply because it’s more authentic to stand before a young person and humbly say, “I’ve found something I’m eager to share with you, and I want to provoke you to go on your own journey for the truth,” than to implicitly or explicitly deny that teachers, mentors, and other role models are speaking from tradition with authority. This kind of authority—the kind that loves the mystery of each human so much that it wants to guide each soul in the use of the great gift of freedom—is not a burdensome imposition. Rather, it’s a helping hand on the arduous journey of knowing one’s own purpose and place in the world.
If the end of education is the formation of the whole human person—awakening our amazing capacity to know, calling us to live fully immersed in reality, and instilling in us a love for truth—then freedom, risk, mystery, charity, and hospitality must be the pillars of the educational process. We must reject deconstruction, word games, virtue signaling, political correctness, scientism, and empiricism.
Today, the powers of fragmentation in American society are affecting all institutions of civil society. Politics, the family, education, and the church are all suffering. Perhaps that is why Giussani’s bold assertion of the need for tradition and authority resonates so much with the generation of American students I teach. A liberal arts model of education acknowledges that our knowledge begins from somewhere, from some tradition: a core body of ideas and authors that is like what James Bernard Murphy calls “Velcro.” This core enables us to venture out into new areas of study and have those ideas stick to something, not shoot off in endless unconnected directions.
Giussani was clearly speaking from the Catholic intellectual tradition, as do I. But in my own work as a teacher with students of diverse Christian faiths, other faiths, or no faith at all, I have seen again and again that to acknowledge my own tradition as a starting point for dialogue is a much better way to connect to people from different traditions. To deny that I have a starting point at all, or only to admit so-called neutral visions of the human good that really come from Enlightenment philosophy as my starting point, is not authentic.
All of our talk about diversity, inclusion, and tolerance in education may flow from an appreciation for the inner mystery of each person and a longing for communion with all other humans. But that communion can’t flourish if we deny the centrality of the search for truth. In our burnout culture, characterized by creative fatigue among so many high achievers, we need hospitality and charity in the search for truth that will lead us to the certainty needed to stand in a tradition and speak to others with an authority that nonetheless respects the freedom and mystery of each person.
This article was originally published online by Public Discourse.
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Art Shines Light Into The Dark Place
“I am a fragment of a mirror whose whole design and shape I do not know. Nevertheless, with what I have I can reflect light into the dark places of this world–into the black places in the hearts of men–and change some things in some people. Perhaps others may see and do likewise. This is what I am about. This is the meaning of my life.”
Fátima and Perseverance in Trials
Standing on the steps of St. Patrick’s Cathedral in New York City on May 7, 2019, I hugged the mother of a former student I had taught at Yale, John Aroutiounian, who died tragically of cancer at the age of 26. When I delivered John’s eulogy earlier that day, I clutched a rosary from Medjugorje in my hand as I told John’s friends and family that I fervently believed that if God would allow the tragic death of one of the most brilliant students I have ever taught, he would work miracles in other ways.
Less than 11 months later, on March 31, 2020, John’s mother Rouzan told me that her husband Aris had died of COVID in New York. I clutched my phone in disbelief and wept, alone at home. Aris’s death was not the miracle I had so firmly expected. As John neared his young death, I told him I do not have a perfect answer to why God might let him suffer and die so young. Nor can I explain why God would allow a second tragic loss to the same family in under a year.
During his battle against cancer, I promised John that if he miraculously lived, I would go with him and his parents on a Marian pilgrimage. When he died on May 3, 2019, I felt called to keep my promise anyway. I spent my birthday on August 25, 2019, at the Marian pilgrimage site of Fatima, Portugal, keeping that promise.
More than just a student of mine and a collaborator, I thought of John like a son, someone with whom I could share intellectual jousting but also the ups and downs, joys, and sorrows and big questions of life. When I wrote him a letter of recommendation for a full scholarship to study law at Columbia University—one more of a long list of prestigious awards he won—I never dreamed that less than a year later, and just two weeks after he turned 26, I would be delivering his eulogy.
My first day in Fatima, I arrived early to the Chapel of the Apparitions to attend Mass. In case I had any doubt that God hears my prayers (which I often do), someone walked up and asked if I would read the prayers of the faithful at Mass. I was escorted right next to the altar built at the exact spot where Mary appeared six times to the young Portuguese peasants in 1917, asking them to pray the rosary for world peace and to offer their suffering for the salvation of sinners.
As I shed tears during the Eucharist, I knew I had received a special sign that I am not alone in my suffering. God hears my cries. God wants to give me his comfort.
On my birthday only three years earlier in 2016, John showed up at my new home in Princeton with a gift: Augusto Del Noce’s book, The Crisis of Modernity, which had recently been translated by Carlo Lancellotti. Why did he passionately insist we launch a program through the nonprofit I started, Scala Foundation, to discuss what Del Noce calls the death of the sacred and its impact on culture, politics, and identity? John got so excited about Del Noce because, having studied philosophy and law at Yale and Oxford before going to Columbia Law, he recognized in his own experience the social impact of a shift in philosophical anthropology—the basic question of who we are as humans—that Del Noce describes.
Drawing on the work of philosopher Max Scheler, Del Noce describes the consequences of as a shift from homo sapiens to homo faber in how we understand our humanity. In his essay Man in History, Scheler wrote that from the view of the human person as homo sapiens in the ancient Greek philosophy, what makes us different than animals is our rationality. Our very rationality that leads to the very idea that something other than us exists, something transcendent—not something in us, but something greater than us and also capable of interacting with us.
This rational openness to transcendence contrasts with what Scheler calls homo faber, a view of the human person as essentially made up of drives to satisfy one or another basic need for survival, power, money, or sex. For homo faber, we are not dependent on anything but ourselves. Even our spiritual experiences are somehow contained within us. Our religious rituals are really just more tools we create to get what we really want in this world. In my own research and teaching in sociology, philosophy of social science and practical theology, I am concerned about what happens when we describe human experiences of suffering and resilience without a metaphysical language of transcendence.
As he neared death, I reminded John what we had read together from Del Noce in the Scala summer seminar: without a metaphysical language of transcendence, human hope loses its connection to something sacred, other and unbounded by human nature. Our culture so often uses the word hope without the vertical dimension of dependence on God. Hope then becomes synonymous with changing oneself, self-control, or creating tools to master our environment. My own experiences of suffering have broken my illusion of self-mastery. When I acknowledge my dependence on a creator, I awaken to the reality that joy and beauty can be experienced even in the midst of suffering.
I reminded John that our faith tells us that with human hope comes the reality that we are destined for eternal life and our suffering is not meaningless. As his suffering grew worse, John told me he experienced that piercing beauty that is the presence of Jesus and he would accept his young death if God took him. John’s acceptance of his early death and his powerful encounters with Jesus as he suffered were a witness to his loved ones of the reality of our eternal home. In my eulogy to John, I reassured John’s grieving loved ones that we shall see John again and he will call us by name. Together we shall rejoice with him in the presence of our creator.
Shortly after John died, I read the papal encyclical Spe Salvi, on Christian hope, by Pope Benedict XVI. He writes that Christian hope is not a promise we will avoid suffering or triumph over evil; Christian hope in a God who promises to walk with us through the valley of death (Psalm 23). The death of a young person like John, and now the death his father and tens of thousands of others due to COVID, calls out for the language hope grounded in faith, transcendence, presence, awareness, and love; not a hope that is grounded in our modern illusions of progress, control, and efficiency.
Christian hope is not the same as progress, understood as overcoming dependency and achieving greater and greater autonomy by using reason, strategic rationality, and manipulating things with technology and science. Christian hope is grounded in faith that we are creatures of God—that he loves us, and by depending on him, we can walk through the darkness of life.
When a loved one dies, our hearts long for the future reunion to become real in the here and now. Christian rituals are so powerful precisely because they open our hearts to a deeper reality that is present now. The many rituals I participated in at Fatima—the Mass, Eucharistic adoration, the rosary, acts of penance—are all enactments of my connection to a reality that exists already but it is beyond immediate appearances. At times my prayers will seem to go unanswered and I will be sorrowful. But the answer is already there in my heart—my faith gives me hope in eternal life and with that hope I can always grow in love. As Benedict wrote, faith brings the future into the present:
Faith is not merely a personal reaching out towards things to come that are still totally absent: it gives us something . . . Faith draws the future into the present, so that it is no longer simply a “not yet.” The fact that this future exists changes the present; the present is touched by the future reality.
Spe Salvi pushes us to ask: Why do we have hope at all? Having traveled to a holy place for my birthday, the “why” I live seemed to be exactly what I was doing in Fatima because I encountered a “who”: a loving God, whom I can serve and praise in this life, and who consoles me in my sorrow. As Benedict explains:
God is the foundation of hope; not any god, but the God who has a human face and who has loved us to the end, each one of us and humanity in its entirety . . . his Kingdom is present whenever he is loved and wherever his love reaches us. His love alone gives us the possibility of soberly persevering day by day, without ceasing to be spurred on by hope, in a world which by its very nature is imperfect.
People of faith must do what we can to reduce suffering, and to console people who suffer. But people of faith have something more to offer to those in sorrow. Our faith and hope as Christians are neither naïve progressivism nor a pessimistic nihilism.
When I hugged John on his deathbed and sobbed, when I hugged his mother on the steps of St. Patrick’s and sobbed, and when I clutched my phone and sobbed with Rouzan as she told me her husband had died, my love and pain were simply tiny signs of a love we all participate in that is greater than all of our suffering. It is that love I went to Fatima searching for; it is that love my life and my work has to give witness to or else I will fail in my role as a teacher and scholar; it is that love I depend on to have hope.
Signs of that love have come to me in the many gestures of hope and comfort from my loved ones in the past year. The sublime joy of love even in the midst of sorrow reminds me that there is a place where our tears will be no more. I have also had moments when I have felt John’s absence acutely and I find it hard to have hope. I hang my head in disbelief, and the tears return. But because I have the gift of faith, eventually I feel John’s presence return in my heart.
In Fatima on my birthday last August, in a mysterious but real way, my desires were fulfilled: John was present with me. Since then, I had several moments where I am certain John is with me somehow, mysteriously. One of them was the day his father died. The day John’s father Aris died, after crying most of the day and laying all alone on my couch in Princeton, I joined a nightly COVID Zoom call with my mother and siblings to pray the rosary. My brother’s youngest child, five-year-old Gabby, normally skips the rosary.
But that day, Gabby walked up to the camera of her dad’s cell phone and with a giant smile held up the rosary from Fatima I had given her for her birthday. Then she sat next to her mother, asked instructions on how to make the Sign of the Cross, offered to lead us in the Our Father, and tried to repeat the 50 Hail Marys while counting on the rosary beads.
Although miracles that suspend the usual laws of nature can happen, the everyday miracle of a child’s love is a sign that even when we feel alone, God’s love abides in us. Although she had no idea how sad I was, her gestures were a sign of John comforting me, as he knew that her love made me happier than anything else.
When I came back from Fatima last year, I told Gabby I was there because I was sad that my friend John died. “After someone dies, will we all be together again?” Gabby asked with fervent curiosity and solemn seriousness. “Yes,” I explained. “When we die, we all go home to God, and he brings us together again. But even here on earth, I told her, God is always with us.” “And we all have a guardian angel,” she piped in. Her face lit up with wonder when I told her, “When my friend John was near death, an angel visited me and told me he would pray for me and my friend who was dying. If you are ever alone and feel scared, don’t forget Gabby, that you can talk to your guardian angel and to Mary, the mother of Jesus.” She held the rosary I had given her and asked me if I had told her mommy I had seen a real angel. If such a wonderful thing had occurred, she must have thought, why would I not tell everyone the good news?
Another time I have sensed John present was on Holy Saturday in 2020, when I organized a video conference call to pray for the souls of John and Aris and for anyone else grieving a loss. Faces popped on to the screen from Armenia to London to New York to Kentucky to California and many places in between. We were all in isolation, and suddenly all together to mourn without touching. We were strangers many of us, we were different ethnicities and faiths, but we were united by the love of John, Aris and Rouzan. We could see each other to share in our grief.
Bishop Daniel Findikian of the Armenian Orthodox Church in the United States started the call chanting the traditional Armenian rite of prayer for the dead. Then one by one, friends shared memories of John and Aris. Both father and son had accomplished great things in their lives, but what everyone remembered them for was their humility, warmth and hospitality. Their love extended not just their own family and friends, but also to the least in this world, the outsider, the homeless, the newcomer, the struggling. Just like the disease spreading all across the world, but in the opposite direction, their love knew no boundaries.
Although the grief of a woman who has lost her only son and husband in under a year is unspeakable, Rouzan told me she is consoled by a vision of John and Aris hugging each other in heaven, rejoicing to be together again. Although we cannot go on pilgrimages right now, prayer conference calls are just one of many ways we make present the love we each received from John and Aris and all of our loved ones, spreading that love faster than this disease can ever move.
Article originally published online by Church Life Journal.
Join an online interactive discussion with iconographer Jonathan Pageau, Jan 30th.
The Work of the Christian
The Love of Learning and the Lay Desire for God
What lessons does the monastic approach to learning classical texts bear on our contemporary debates in education? Speaking to the College of Bernardins in Paris, Pope Benedict XVI used a beautiful image about the importance of monks singing well together to make an analogy about how we can learn to seek God together in education. Beautiful music is supposed to generate resonance—a feeling that stays with us; perhaps a gentle, uplifting feeling that gently calls our attention towards the sublime. But the opposite of resonance is dissonance, not being able to put together all the pieces of what you are hearing.
I had students in a seminar on education read Pope Benedict’s piece because dissonance in education today is rampant. Students rarely are exposed to classes that teach them how to integrate knowledge from various fields. Students accumulate tons of information, but they have no way to put together all the pieces of what they learn. They are also taught that the only truth is relativism about truth. Rather than education being a journey that forms us integrally as humans, education becomes a chore that (even if we succeed at it) fragments us.
My own studying of medieval monastic approach to learning has not led me to flee to the hills in a segmented community, but to develop an approach to education that has provided my students with precisely the kinds of resonance that learning is supposed to provide—an integration of knowledge that helps integrate one’s own very being in the world.
Pope Benedict described the monastic approach to learning as Quaerere Deum—setting out in search of God both through revelation and through nature. He called this a “truly philosophical attitude: looking beyond the penultimate, and setting out in search of the ultimate and the true.”
To know God is not only to know Scripture; to know God is also to know his action in the world as revealed in the history and world of human beings. God not only created the world, but continues to work in the world. As such, our work in the world can be seen as “a special form of resemblance to God, as a way in which man can and may share in God’s activity as creator of the world.”
Because the monks believed that God was at work in whatever was beautiful, in his book The Love of Learning and the Desire for God, Jean Leclercq describes how monks studied not only Church Fathers and Scripture, but classical texts simply because they were beautiful. Monks believed that, in some real way, everything that is good or beautiful comes from the hand of God, even if the author was not a Christian.
According to Leclercq, monks were optimistic in thinking that “everything true or good or simply beautiful that was said, even by pagans, belongs to the Christians” (116). Quite unlike today’s efforts to deconstruct and debunk classical texts for their flaws, monks made every effort to find a good intention in these works.
Monks studied scripture with great appreciation for God’s word, but they also studied non-Christian works that were beautiful and good simply to develop their appreciation for the beautiful, wherever it was. As Leclercq describes, the monks sought to:
Develop in all a power of enthusiasm and the capacity for admiration . . . Wisdom was sought in the pages of pagan literature and the searcher discovered it because he already possessed it; the texts gave it an added luster. The pagan authors continued to live in their readers, to nurture their desire for wisdom and moral aspirations (118-119).
The Monks appreciated the beauty of classical texts, and not merely because they were Christian or even moral instruction. As Leclercq explains,
At times they drew moral lessons from these authors, but they were not, thanks be to God, reduced to looking to them for that. Their desire was for the joys of the spirit, and they neglected none that these authors had to offer. So if they transcribed classical texts it is simply because they loved them (134).
Leclercq describes this approach to learning as integral humanism, a humanism that integrates classical humanism with the eschatological humanism of Christianity: that Christ became man to save us from our sins. Integral humanism seeks beauty in both the horizontal and the vertical—the world we can see and study and the world we do not see directly, yet perceive through the beauty of the world that is a sign of another type of existence.
Integral humanism is not anthropocentricism. Integral humanism can connect the worldly and the supernatural, awakening desires for truth and deep appreciation for beauty. Integral humanism celebrates nature and man’s creation, but also acknowledges its limits and dependence on the creator, and awakens our desire for the infinite.
Discussions about liberal arts cannot just be about which texts to include in a core curriculum. Christians in particular bring a unique perspective to liberal arts education not just because of the emphasis the Christian intellectual tradition places on philosophy or theology, but, more importantly, because Christians believe that all that is good, beautiful, and true comes from the hand of God.
European culture, according to Pope Benedict XVI in Quaerere Deum, grew out of this monastic approach to knowledge that revered the word of God and all of creation. He wrote that, “what gave Europe’s culture its foundation—the search for God and the readiness to listen to him—remains today the basis of any genuine culture” (emphasis mine).
But Pope Benedict XVI goes on to argue that today, we live in a culture that has made our deepest desire—to know God—a subjective, individualized search, cut off from how we use our reason about the world. Anthropocentric humanism celebrates the human capacity to know the world but separates that capacity from how we know God. Instead of elevating our humanity, anthropocentric humanism fragments knowledge and our very being as humans into disjointed pieces.
Instead of a university in which we know all fields relate to each other and that all truth glorifies God, we have a multiversity, which might succeed in producing some good things but fails to produce resonance in students, that is, a lasting impressing that our knowledge gained is part of our quest for truth.
Most modern universities where I have worked fail to generate a sense of appreciation for any traditions of knowledge and instead promote the deconstruction of past knowledge. The curriculum may be full of laudable skills to be acquired on the way to achieving learning goals in a particular class. Yet, the idea that mastering a subject should be a transformation that awakens our desires for the good and beautiful sounds, at best, sentimental, therefore unrelated to reason, or, at worst, a romantic dream that is the privilege who those who do not need a job when they graduate.
Perhaps I am lucky to have come from a home that instilled such high aspirations in me—not just about credentials and grades, but about the love of learning. For as long as I can remember, I loved learning. My father—who studied math in college and wooed my mother by tutoring her in math—taught me when I was five about mathematical theories as a sign of his love for me.
I can recall how, as a young child not even old enough for school, I used to sit next to my father studying math or geography. I felt like the world continents as well as the world of abstract reasoning about numbers was exciting. My father was teaching me something about my place in this world, instilling in me a deep curiosity about how this all came to be so. I, in turn, always greatly admired my father’s broad intellect and intrinsic love of knowing and teaching me many, many things—both material and abstract. I have long desired that exhilarating feeling that echoes with our deepest aspirations as humans when I master a topic. I rejoice when I can pass on to a student not only mastery of a topic, but the very love of learning itself.
In an educational system so dominated by credentials and skills, we are at risk of never awakening in students their desire for the truth and killing their love of learning. It is precisely through awakening desires to know the truth that our ever-more complex educational system can function like a big orchestra—all coming together to produce beautiful harmony. Instead, many students will go through the multiversity not sure which of the many loudspeakers competing for their attention they should devote their energy to. Students tell me again and again that when they get to college, even if they may be gathering up knowledge and winning accolades, their inner soul is experiencing dissonance.
I agree with the critiques others have made about higher education, but I think the biggest challenge in higher education is not that students are hyper-competitive, stressed out, and emotionally fragile—it is that students are not getting a real education. I do not just mean they are not being exposed to the classics traditionally taught in humanities classes; I mean they are not being taught to love the search for truth that all education must aspire to.
I think it is unlikely that majors in humanities are going to grow in their numbers to even their previous levels. The pull is too strong to major in STEM fields or some other field that will make money to pay off crushing debt and a rising cost of living. But integral humanism in education, or, more generally, a classical liberal arts education, could also mean that students majoring in any field could go on trips to the art museum together; or, go to a monastery for a day, or even longer. These are a couple of the many ways to awaken their full humanity in its search for the truth in every situation.
For example, in the summer seminar I taught for the last two summers entitled “Rediscovering Integral Humanism,” both shared experiences of beauty, alongside long sessions poring over texts, were important part of our time together. We spent several days at Oxford reading authors like John Henry Newman, Jacques Maritain, and George Marsden. In our free time, we went to Evensong at Magdalene College, or went for walks in nature. During our eight days at Ampleforth Abbey, a Benedictine monastery near York, we not only continued our intense pace of study, we also walked to see the sheep and pigs at the monastery, played games together outdoors, ate meals family-style around a big table, and sang the liturgy of the hours with the monks, or just sang with each other spontaneously.
Studying and living together at a monastery for eight days made the monastic approach to education come alive. It is not just that the animals and fields are beautiful, it is that the beauty inspires creativity and deep thinking. Open landscapes helps us open our mind. Stunning sunsets over the lake excite the senses, call our attention both outward and inward at the same time, preparing us to think deeply and slowly in our reading sessions.
As one student remarked in her evaluation,
The setting of the seminar, particularly in Ampleforth, made it very natural to stay in a contemplative mindset. And living and eating together made it feel like we were a family, with all the relational depth and play that goes along with that kind of dynamic. The readings/discussions exposed me to many different viewpoints and disciplinary approaches, while also giving me a much deeper understanding of my own area of study; I was able to view it—and was forced to articulate it—from the perspectives that others brought to the discussion.
This particular student was from a family of eight children, had attended Princeton University on a full financial need scholarship, achieved great accolades in the classroom and service, and had been active in a Christian ministry. But the seminar we shared together was unique because it allowed her to enter into a contemplative mindset, to get to know others' perspectives and personalities, as one does with siblings, and to be challenged by each other’s ideas in the seminar discussions.
But I was perhaps even more struck by her expression of how the seminar resonated with her humanity, leaving an impression that she is known and loved; with a feeling that that our time together was permeated by something bigger than all of us (the love of God) that holds us together. As she wrote:
My most lasting impression from the seminar will be the infusion of God’s love in all of our time together. I felt whole, like I was known and loved. The lingering taste of these deep and beautiful friendships will, I hope, lead me onto communities that will foster my growth in wisdom and self-giving wherever I’m called to next.
Beyond the material we mastered—which was quite a lot—the experience resonated with her deepest longings to search for truth with others, and the delights of the mind were shared alongside experiences of beauty.
The most profound memory I will take back with me from our time together at Ampleforth was walking in silence as a group for about an hour from the monastery to the lake to see the sunset together on the last evening. I noticed how everyone’s walking style was slightly different. Some were slow while others practically ran. Some looked like they were skipping, whereas others swayed side to side.
When we arrived at the lake, we stood in a big group by the lake and made a circle, hugging each other as I offered my final reflection on our twelve days together. I remarked that our distinct walking styles headed in the same direction reminded me that each of us came here on a journey, and our journey was personal, yet we are accompanying each other on our journey. We are in fact, self-interpreting animals who seek the company of other self-interpreting animals. As a Christian, I believe that humans are part of nature, we build many things including culture and, yes we have the image of the divine in us that can be communicated to others in love.
The beauty of that final moment together in nature solidified for all of us our memories of what an amazing experience we had together. I told the students that in times of worry and doubt—times that I know will come as I am a weak human—I will remember our lively seminar discussions, our singing, our walks in nature, our many shared meals, our intensely personal conversations, and find my faith, hope, and love renewed in remembering you.
The seminar was an experience of our total humanity in a world that feels so fragmented. My final words to the group were to go forth in love to a world that feels polarized, divided, angry, and confused. The love of God we felt pouring out during our search for truth together is something we need to communicate to others—not just to our friends who think us like, but also to those who do not understand us, and those who do not want to understand us. A monastic approach to education does not have to mean creating communities apart from the world, but can also mean witnessing by our approach to learning a greater truth—that, despite our often grave differences, we are all on a journey together, united as creatures of one God that we all seek, perhaps by different names that point to one reality.
The monastic approach to education—Quaerere Deum—fits well with our seeker generation whose lives are filled with dissonance in their education and their personal lives. Many of today’s young people—regardless of their faith background or where they are on their faith journey—desire to live a theological aesthetic in their everyday lives, which have been stripped of the sacred.
Seeking God in all things—revelation and nature, seeing God active in faith and in reason—is a bulwark against the dominant language of science that is empiricist—the only thing that is real is material. Such an approach to the world reduces all of created reality to something to be manipulate. Quaerere Deum is a bulwark against educational practice that lead to endless deconstruction of truth—there is goodness and beauty in the world, there is truth we can discover and share with others. The critical approach cannot lead us anywhere without the appreciation of the beautiful and the good.
But a response to our crisis in education through learning once again to seek God in all things is not a formula, nor a curriculum, but a journey, one that takes its time, that goes deep, and in so doing, slowly transforms the world around it, even a world that may seem hostile to it. Like a great piece of music, Quaerere Deum, an approach to education that is both deeply satisfying yet also leaves us longing for more: the infinite.
This article was originally published at Church Life Journal.
We Must Recognize the Utility of Beauty if We are to Transform American Culture
Humility and Truth In Art
Engineering, Beauty, and a Longing for the Infinite
In July 2019, I embarked upon a six-day excursion across Italy with 14 undergraduate students and three professors from Princeton University. The trip was part of a six-week summer course titled “Two Millennia of Structural Architecture in Italy.” Given the title, it should come as no surprise that the instructors were professors, not of architecture or history but of civil engineering.
But the course, sponsored by Princeton’s Institute for International and Regional Studies Global Seminar Program, was about much more than understanding how buildings were, and are, constructed. Too often, STEM students are understimulated in wonder, beauty, awe—the kind of childlike curiosity and enthusiasm for discovery that can incite great innovations in science and engineering. Studying beauty in the university has too long been relegated to departments of art or music or literature—but Sigrid Adriaenssens, Maria Garlock and Branko Glisic recognized the need to educate engineering students, too, about history, culture, people and art.
What was I—someone whose work lies at the intersection of sociology, theology and philosophy—doing on this trip? Our modern world is driven by a view of the person that sees us as essentially driven to dominate others, acquire endless personal gain or develop powerful technological skills. The aesthetic dimension of the human person—our desire for beauty—often seems to get left out of not only business and engineering but also much of the social sciences. Our disciplines present an implicit model of the human person as essentially a social product, a profit-maximizer or a great big machine.
But is that all we are?
Humans are born with a desire for beauty, but that desire, like any desire, needs to be nurtured—cultivated like a garden. Any good education must include an education in beauty; likewise, any field of knowledge that is stripped of the beauty of its object, whether that be a machine, a book or a person’s life, will be stripped of its mystery. As made clear in the experiences of famous scientists captured in the book by Marco Bersanelli and Mario Gargantini, From Galileo to Gell-Mann: The Wonder that Inspired the Greatest Scientists of All Time: In Their Own Words, studying the natural world sparks awe and wonder.
My training in the social sciences implicitly borrows methods of positivism or empiricism that do not just correspond to the human person in an integral fashion. Social sciences collect empirical data, but they also need and philosophy, theology and a language of beauty, wonder, awe and love. We are creatures who do things, but we are also creatures who contemplate things. We can’t live a flourishing life simply by satisfying our basic needs (even the need for surviving a motorcycle crash). Engineers and other specialists need to work together to build the products that serve our human nature, including our desire for awe and wonder.
One of the reasons universities structure learning across disciplines is that different ways of looking at the world train our minds in different ways: reading a text; proving a theorem in math; closely observing an object in its surrounding; pondering the meaning expressed by a piece of art; and building a bridge all require different types of cognitive skills, which need to be honed, tested and pruned.
And that was why we were in Italy. During the excursion, students learned about Italian architects including designers and icons of design: Brunelleschi, Canova, Ducati, Dainese, Nervi, Michelangelo, Palladio and Pisano. For six days, the students, professors, guides and I were immersed in the beauty of educating ourselves on the genius, risk-taking, and leaps of faith that create amazingly useful products—including motorcycles that dazzle us with their speed; airbags that protect us if we fall; churches that have inspired centuries of worshippers; and tobacco factories that were once abandoned but which are being repurposed for the technology of a new age.
During the many stops in our whirlwind tour of Bologna, Vicenza, Venice and Florence, we studied varied objects with the aid of experts. In Vicenza, for example, the art historian Guido Beltramini, an expert on the architect Andrea Palladio, took us to villas, bridges and a theater Palladio designed. We walked along the shop floor of the Ducati motorcycle factory, then met with Andrea Ferraresi, Ducati’s Design Director. The businessman Federico Minoli, who has been the CEO of Ducati, spent several days with the students, explaining what it takes to bring a great invention to the market.
We also visited the Dainese Archive, and met Lino Dainese, founder of the company and inventor of beautiful, comfortable and very safe motorcycle jackets, boots and even an exploding jacket airbag. Dainese, whose patented inventions have saved hundreds if not thousands of lives, insisted to the students that he’s not an engineer or a designer, which are fields he has not formally studied. But he is a lover of beauty and a lover of people. His passion is to save the lives of those so fascinated by the mystery of the infinite they would ride a motorcycle at 350 kilometers an hour, or up a treacherous mountain peak.
He made it clear that technological scientific discoveries are often made by people whose hearts long for the infinite. And along with the others we met, he showed us that the buildings, objects of art and machines we use every day came about through a creative genius that integrates beauty and function. But learning the biography of great inventors further showed the class that no creative genius exists in a vacuum. Even they make mistakes and need help from others.
Trips such as this provide a much-needed opportunity to bring together all the ways our minds work and to learn from each other’s observations. Watching professors “geek out” about all the complex mathematics that went into building the structures we visited was a person-to-person way of communicating the joy of scientific innovation.
As Branko Glisic kept pointing out, something can’t be beautiful if it doesn’t work. A bridge that looks nice and collapses never was beautiful in the first place. Students found beauty not only in perfection, but in an abandoned tobacco factory built by Pier Luigi Nervi in Bologna now being repurposed as a meteorological center. Seeing the millennia of structures being made out of earlier structures from classical, Renaissance and, now, modern architecture inspired wonder in us at human ingenuity that can preserve traditions of beauty while also adapting existing structures to new purposes.
Without educating all forms of knowledge toward mutual coherence, without standing in a tradition of thinking and being, our varied emotions, thoughts, expressions and even the things we create in a laboratory don’t add up to anything more than noise. Fleeting sensory pleasures or tools that badly fit the needs of humans don’t lead to human flourishing.
Connecting STEM and the liberal arts is crucial for the simple reason that, as one student wrote, “whether created as monuments to God, places to live and entertain, or ways to travel, structures are inevitably built for humans to enjoy.”
A liberal arts education is supposed to make us free. Modern education can’t just be focused on productivity but must engage with the core questions of truth, beauty and the good across all fields. Universities exist to help the young understand the past, preserve what’s good from it, discover new forms of knowledge and know how to apply that knowledge for the human good. Integrating the study of engineering and beauty will not only help students be more creative and take risks; it will help them resist the reduction of the human person to merely an object buffered from the transcendent.
Education in all fields of knowledge—including science and engineering—should be understood as part of educating the universal human longing for the infinite.
This article was originally published at the Scientific American.