Thornton Norris shows us that even if the poet or novelist is sincerely Catholic and trying to express truths that are consistent with the Faith, he is at a great disadvantage if he is seeking to express those truths with vocabulary and poetic forms that reflect a post-Enlightenment culture.
Is Beauty Worth It? Doesn't it Cost Too Much?
No! Beauty Transforms Us Spritually, Invokes the Principle of Superabundance that Generates Wealth for All, and Inspires Us to Love the Poor.
As St Francis of Assisi understood, beauty is a common-good, beneficial spiritually, to all who encounter it, rich and poor alike. But second, the poor will benefit materially as well. Faith inspires charity and so it will inspire the rich to give to the poor directly.
Become an Apprentice at a Unique Catholic Art School: the Stabat Mater Studio
Two Events in Princeton Within a Week: Concert of New Choral Music and a Conversation With Sir James MacMillan, June 15, 2024
The Manuscript Illumination, Calligraphy and Icons of Nicholas Hughes, an Orthodox monk from West Virginia
Chalice Palls Hand Embroidered by Kathryn Laffrey
Kathryn is currently studying for her Master of Sacred Arts at Pontifex University. She is based in Michigan. You can commission works from her, and I recommend he embroidery, particularly at kl-artstudio.com
Rolling Back the Tide of Post Vatican II Iconoclasm: the Newly Revealed Wall Painting at the Oxford Oratory
Whitewashing over wall paintings has always been a common measure taken by those who wish to remove images from churches. Applying a coat of paint is cheaper and quicker than replastering the surface! Islamic iconoclasts at Hagia Sophia, Protestant Reformers in 16th-century England, and, it seems, Catholic iconoclasts of the 1970s all resorted to this method of obliterating sacred art to hide the beauty of the Church.
Study Choral Conducting with Master Teachers In Princeton, NJ, June 16-21, 2024
This is organised by Peter Carter's Catholic Sacred Music Project in partnership with, among others, the Scala Foundation (for whom I serve as Artist-in-Residence. The program will be held June 16-21, 2024, in Princeton, NJ. For more information, go to sacredmusicproject.org.
The Traditional Formation of the Artist is Mystagogical Catechesis and a Formation for the New Evangelisation
The fruits of a traditional artistic training in the formation of the person are such, I would say, that it would be useful too (with minimal adaption) for anybody, regardless of his personal vocation. And so would be of interest not just to artists, but to all people; (and especially those who are interested in the formation of children). It is a training in the via pulchritudinis and is the formation of the New Evangelisation, I suggest.